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Contact Click here to contact me by e-mail You can contact me on xxx xxxx xxx. Click here to download my extended resume. |
| Available From: 08/08/00 To: 12/10/00 |
| About Me Having worked as a director on several large Hollywood projects, I feel I have the experience to work on big-budget projects aimed at a global market. My particular strength is, alongside my visual flair, a unique combination of matinee good looks and professional vision. During the course of my career I have worked with many leading filmmakers. I am comfortable working in both film and television. My credits include several blockbusters as well as more cerebral social portraits for the small screen. Other relevant strengths are that I can: I can be contacted on the above numbers. For a fuller resume you can, if you are logged in as an employer, click on the link at the top of my page for a Word version of my resume. (You can, if your credits are many, upload your own word version of your resume, which can be downloaded by employers from within the media-match online resume.) |
| Credits/Employment History Jan - June 2000 Producer/Director A Sign of The Times Elephantine Productions for Channel Six 6 x 30 series investigating cultural trends at the start of the new millennium, particulary the changing demographics of urban society May 1999 - December 1999 Director Standing Room Only Watchword Films for Make Believe TV A one-off documentary looking at the state of public transport, including fly-on-the-wall study of a day-in-the-life-of a high-profile transport minister. Involved some under-cover surveillance with actors playing harassed commuters March 1998 - May 1998 Producer/Director Do They Mean Me? Wayward Films for Hollywood High Inc. Classic rags-to-riches tale of regret and redemption. February 1982 - August 1988 Assistant Producer/Researcher Legendary Beasts Hotspot for LWB Two 50 programmes. I was instrumental in tracking down and interviewing witnesses, as well as authenticating their accounts. Shot in Bavaria and the Yorkshire Dales, I also assisted the location manager and helped keep spirits high in demanding conditions. 1979 - 1980 Runner Stark Light Productions I worked in a small, close-knit production company for a year. My range of duties included assisting with script-editing, collecting and delivering scripts, answering the telephones and a whole host of other tasks which led to a greater understanding of the industry as a whole. June 1979 - Septmeber 1979 Work Experience McRonalds At this slow-food outlet I realised that the television and film industry beckoned. |
| Affiliations IATSE DGA |
| Industry Qualifications/Training TBC Directors Course Guild of Cameramen |
| Industry Awards Emmy for Swingin in the Rain |
| Education 1985-1988 Harvard University Diploma in Film Studies Dissertation on the auteur in French cinema 1982-85 Beatnik School of Literature Various classes in poetry, angst and method acting |
| References Elliot Gold 12a Hampton Drive Hollywood California 90045 |
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